Encyclopedic in its coverage, this volume provides reliable, up-to-date information on folk and fairy tales, past and present.

This first of a four-volume set considered to be a reasonably accurate (and enjoyably readable!) translation of the wonderful tales of the Arabian Nights.

Volume 2 of a four-volume set considered to be a reasonably accurate (and enjoyably readable!) translation of the wonderful tales of the Arabian Nights.

Volume 3 of a four-volume set considered to be a reasonably accurate (and enjoyably readable!) translation of the wonderful tales of the Arabian Nights.

Volume 4 of a four-volume set considered to be a reasonably accurate (and enjoyably readable!) translation of the wonderful tales of the Arabian Nights.

Types of the Folktale in the Arab World is an index and preliminary analysis of folktales told by the diverse ethnic groups that populate what is commonly called "the Arab World." It is also a comprehensive and interdisciplinary guide to tales told in related cultural spheres, from sub-Saharan Africa to Turkey and beyond. A folktale's emergence, spread, stability, change, continued presence, or disappearance among certain social groups depends on specific psychological, social, and cultural forces. While Hasan El-Shamy has adopted the familiar tale-type classification system employed by Antti Aarne and Stith Thompson, he also seeks to remedy the Eurocentric shortcomings of their system by addressing folklore as behavior, striving to bring the psychosocial foundation for the Arab renditions to this comprehensive and inclusive index. Types of the Folktale in the Arab World is destined to become an indispensable reference work for all who are interested in Arab culture and the folktale.

Serving as the Arabic companion to the classic Motif-Index of Folk Literature, this two-volume guide is useful as a research tool in comparative folklore studies, as well as in Arabic studies.

Americans have always shown a fascination with the people, customs, and legends of the "East--witness the popularity of the stories of the Arabian Nights, the performances of Arab belly dancers and acrobats, the feats of turban-wearing vaudeville magicians, and even the antics of fez-topped Shriners. In this captivating volume, Susan Nance provides a social and cultural history of this highly popular genre of Easternized performance in America up to the Great Depression. According to Nance, these traditions reveal how a broad spectrum of Americans, including recent immigrants and impersonators, behaved as producers and consumers in a rapidly developing capitalist economy. In admiration of the Arabian Nights, people creatively reenacted Eastern life, but these performances were also demonstrations of Americans' own identities, Nance argues. The story of Aladdin, made suddenly rich by rubbing an old lamp, stood as a particularly apt metaphor for how consumer capitalism might benefit each person. The leisure, abundance, and contentment that many imagined were typical of Eastern life were the same characteristics used to define "the American dream." The recent success of Disney's Aladdin movies suggests that many Americans still welcome an interpretation of the East as a site of incredible riches, romance, and happy endings. This abundantly illustrated account is the first by a historian to explain why and how so many Americans sought out such cultural engagement with the Eastern world long before geopolitical concerns became paramount.

An irreverent and deeply funny retelling of the Arabian Nights and a wildly inspired exploration of the timeless art of storytelling. Award-winning writer Andrei Codrescu reimagines how Sheherezade saved Baghdad's virgins and her own life through a heroic feat of storytelling--one that kept the Persian king Sharyar hanging in agonizing narrative and erotic suspense for 1001 nights. For Sheherezade, the end of either suspense or curiosity means death, but Codrescu keeps both alive in this entertaining tale of how she learned to hold a king in thrall, setting with her endless invention an unsurpassable example for all storytellers across the ages. Liberated and mischievous, Codrescu's Sheherezade is as charming as she is shrewd--and so is the story Codrescu tells.

Gilgamesh, Persia's Book of Kings, One Thousand and One Nights, and more . . .
[Additional videos in this 5-part course may also be relevant].

Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. By combining their respective expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these tales an integral method of study that unites a sensitivity to language with a deep appreciation for culture. As native Palestinians, the authors are well-suited to their task. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative. Speak, Bird, Speak Again is an essential guide to Palestinian culture and a must for those who want to deepen their understanding of a troubled, enduring people.

Raphael Patai' s (1910-1996) lifelong fascination with Arab folktales began on a Ramadan night in 1933, at a cafe in Jerusalem where, for the first time, he heard a famous qassas, a storyteller, tirelessly relate story after story from his vast repertoire of Arab folktales. In Arab Folktales from Palestine and Israel, a collection of twenty-eight tales gathered in Palestine and Israel and one of Patai's last books, Patai explores this rich cultural tradition. He studies tales from three separate times: those recorded by a German scholar in 1910-11, those read over Jerusalem Radio in the winter of 1946-47, and those recorded by the Israeli scholar Yoel Perez in 1982-84. These fables, part of the cultural heritage of a small corner of the Arab world, are translated into an English that remains faithful to the original Arabic text, presenting to foreign readers a sense of the original style and a picture of traditional Arab life and customs, attitudes, social and cultural norms, psychology, and values. Providing insight into Arab culture, Patai offers extensive notes and commentary on particular Arabic phrases and images, as well as the ways of speaking and thinking found among the Arab population, especially the Bedouins, in Palestine and Israel. Patai also places the stories in the context of global folktales, and traces the transformations in the art of storytelling. This collection as a whole presents a colorful slice of traditional Arab life, values, customs, attitudes, and sociocultural patterns.

Short fiction was an immensely innovative art in the medieval Arab world, providing the perfect vehicle for transmitting dazzling images of life and experiences as early as pre-Islamic times. These works also speak to the urbanization of the Arab domain after Islam, mirroring the bustling life of the Muslim Arabs and Islamized Persians and reflecting the sure stamp of an urbanity that had settled very staunchly after big conquests. All the noises and voices of the Umayyads and Abbasids are here. One can taste the flavor of Abbasid food, witness the rise of slave girls and singers, and experience the pride of state. Reading these texts today illuminates the wide spectrum of early Arab life and suggests the influences and innovations that flourished so vibrantly in medieval Arab society. The only resource of its kind, Salma Khadra Jayyusi's Classical Arabic Stories selects from an impressive corpus, including excerpts from seven seminal works: Ibn Tufail's novel, Hayy ibn Yaqzan; Kalila wa Dimna by Ibn al-Muqaffa; The Misers by al-Jahiz; The Brethren of Purity's The Protest of Animals Against Man; Al-Maqamat (The Assemblies) by al-Hamadhani and al-Hariri; Epistle of Forgiveness by al-Ma'arri; and the epic romance, Sayf Bin Dhi Yazan. Jayyusi organizes her anthology thematically, beginning with a presentation of pre-Islamic tales, stories of rulers and other notables, and thrilling narratives of danger and warfare. She follows with tales of love, religion, comedy, and the strange and the supernatural. Long assumed to be the lesser achievement when compared to Arabic literature's most celebrated genre-poetry-classical Arabic fiction, under Jayyusi's careful eye, finally receives a proper debut in English, demonstrating its unparalleled contribution to the evolution of medieval literature and its sophisticated representation of Arabic culture and life.

The Arabian Nights: A Companion guides the reader into this celebrated labyrinth of storytelling. It traces the development of the stories from prehistoric India and Pharaonic Egypt to modern times. It explores the history of the translation, and explains the ways in which its contents have been added to, plagiarized and imitated. Above all, the book uses the stories as a guide to the social history and the counterculture of the medieval Near East and the world of the storyteller, the snake charmer, the burglar, the sorcerer, the drug addict, the treasure hunter and the adulterer.

The most comprehensive treatment of the Arabian Nights ever published, with more than 800 detailed encyclopedic entries and a wealth of authoritative essays and resources. Includes a concordance of tales in different editions and translations, and an extensive bibliography of reference works published in English and other languages

Scheherazade's Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book's metamorphoses on stage and screen as well as in literature--from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book's complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers' approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights' radiating influence on world literature, performance, and culture.

In applying the standards of modern literary criticism to medieval Arabic literature, Andras Hamori concentrates on those aspects of the literature that appear most alien to modern Western taste: the limitation of themes, the sedimentation with conventions, and the use of elusive patterns of composition. The first part of the book approaches Arabic literature from the historical point of view, concentrating on the transformations in poetic genres and poetic attitudes towards time and society in the literature between the sixth and the tenth centuries. The problems of poetic technique are then discussed, with special emphasis on poetic unity and the use of conventions. The third part of the book deals with methods of composition in prose through an examination of the orders and disorders in two tales from the Arabian Nights. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book gives students and general readers an introduction to Arab culture by surveying the folklore of the region. The volume defines and classifies different types of folklore and provides a wide range of examples and texts. It looks at the critical and scholarly response to Arab folklore and the place of Arab folklore in contemporary culture. Included are references to numerous print and electronic works for further reading. The Arab world is constantly in the news, and students and general readers need to become familiar with Arab culture. Central to any society are the beliefs and customs held dear by the people. In examining Arab folklore, this book provides a fundamental understanding of the ways of the Arab world. In doing so, it helps readers appreciate Arab culture and gain insight into one of the world's most politically and economically important regions. Arab folklore is exotic to most students, and this volume begins by defining and classifying different folklore types. It then provides a wide range of examples and texts related to Arab folklore. It surveys the critical and scholarly response to Arab folklore and discusses the importance of Arab folklore to popular culture. The volume closes with a bibliography of print and electronic sources for further reading.

English language essays on Arabic Epics.