The visionary author's masterpiece pulls us--along with her Black female hero--through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

Instant #1 New York Times Bestseller Winner of the 2018 Eisner Award for Best Adaptation from Another Medium Octavia E. Butler's bestselling literary science-fiction masterpiece, Kindred, now in graphic novel format. More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler's mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century. Butler's most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre-Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana's own ancestors, and the many people who are enslaved by him. Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere. Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.

The Nebula Award-winning author of Kindred presents a "gripping" dystopian novel about a woman fleeing Los Angeles as America spirals into chaos (The New York Times Book Review). Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren's father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, war, and chronic shortages of water, gasoline, and more. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others.   When fire destroys their compound, Lauren's family is killed and she is forced out into a world that is facing apocalypse. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.   From a recipient of the MacArthur Fellowship who has won multiple Nebula and Hugo Awards, this iconic novel is "a gripping tale of survival and a poignant account of growing up sane in a disintegrating world" (The New York Times Book Review).  This ebook features an illustrated biography of Octavia E. Butler including rare images from the author's estate.

2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

Over the last decade, music and sound have been increasingly recognized as an important--if often neglected--aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and Science Fiction cinema. Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as The Day the Earth Stood Still, the first Godzilla film, and Forbidden Planet. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron's Terminators, and other notable SF films such as Space Is the Place, Blade Runner, Mars Attacks!, and The Matrix. Off the Planet is an important contribution to the emerging body of work in music and film. Contributors include leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States. Distributed for John Libbey Publishing

A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of five hundred years of contact among Africa, Europe, and the Americas, reach toward the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism. The editors and contributors of this exciting volume thus reflect on the reemergence of black visions of political and cultural futures, proposing practices, identities, and collectivities.

Composer, bandleader, pianist and space philosopher, Sun Ra was a unique individual and one of the most colourful and enduring of musical legacies, transcending time, place and culture. Sinclair's book collects together for the first time interviews with Sun Ra, the people that knew him and other contemporaries, alongside illuminating essays and conversational pieces regarding his prolific musical output, mystique, philosophy, fans and much more.

In these stories, Samuel R. Delany explores the intricate interdependencies of memory, experience, and self. We begin with Atlantis: Model 1924, a short novel that tells of a young African-American's first six months in 1920s New York, and of the sharp contrast between his experiences there and his childhood and adolescence in North Carolina. In a fictive meditation on the artist's childhood, Erik, Gwen, and D.H. Lawrence's Esthetic of Unrectified Feeling traces the development of a formalist esthetic even as it shows the place of transgression within that very esthetic. Citre et Trans tells of a black American writer's sojourn in Greece in the mid-1960s.