Selector: Shannon Mcdermitt
“Once in a while you get shown in the light / In the strangest of places if you look at it right” – ‘Scarlet Begonias’
In addition to a vast array of digitized items, the Grateful Dead Online Archive hosts a treasure trove of 1980s and 1990s envelope fan art sent to the San Rafael offices. Expectant concert-goers mailed out their ticket fare to the Dead headquarters in eye-catching decorated envelopes with the intent of ensuring their spot at the show.
"Ed Dutreaux", Grateful Dead Archive Online, accessed January 7, 2025, https://www.gdao.org/items/show/810391.
"J. Severson", Grateful Dead Archive Online, accessed December 19, 2024, https://www.gdao.org/items/show/811239.
"Kelley Sheehan", Grateful Dead Archive Online, accessed August 6, 2024, https://www.gdao.org/items/show/810366.
"Pam Goldman", Grateful Dead Archive Online, accessed August 6, 2024, https://www.gdao.org/items/show/810380.
Baron Wolman Collection, Rock & Roll Hall of Fame.
Ed Perlstein/Redferns/Getty Images
Created by Owsley "Bear" Stanley and Bob Thomas, this iconic logo originally served as stencil art to mark the Grateful Dead's equipment during their 1969 tour.
The iconic skull and roses mascot, which became one of the Grateful Dead's most recognizable symbols, was first introduced on a legendary 1966 poster for their shows at the Avalon Ballroom. Designed by Alton Kelley and Stanley Mouse, the skeleton's image is derived from a 1913 illustration by Edmund Joseph Sullivan for the Rubaiyat of Omar Khayyam. (Source)
Bob Thomas designed Grateful Dead's marching bears, which first appeared on the back cover of the 1973 album History of the Grateful Dead, Volume One (Bear's Choice). The bears are a visual pun on the nickname of the band's sound engineer, Owsley "Bear" Stanley.
The Terrapin turtles represent the band's bond with nature and the spiritual journey of life, first appearing on the cover of their 1977 album Terrapin Station, designed by Kelley and Mouse Studios.
Designed by Rick Griffin for 1977's What a Long Strange Trip it's Been.
Dan Healy T-Shirt Collection - Sotheby's (Healy was a sound engineer for the Dead)
From the Vault: Property of the Grateful Dead and Friends - Sotheby's
The Grateful Dead has had a significant influence on fashion, particularly with its distinct and colorful tie-dye aesthetic that became iconic in the 1960s and 70s. Their concert merchandise, featuring psychedelic artwork and band logos, contributed to the rise of band tees as a fashion staple. The band's laid-back, bohemian style resonated with the counterculture movement, inspiring a trend of vintage, eclectic clothing. Additionally, their emphasis on individuality and self-expression in their music and lifestyle has encouraged a lasting legacy of DIY fashion among fans.
It’s safe to say that in the ninety days or so that the Acid Tests existed, our band took more and longer strides into another realm of musical consciousness, not to mention pure awareness, than ever before or since. At the beginning, we were a band playing a gig. At the end, we had become shamans helping to channel the transcendent into our mundane lives and those of our listeners. (Lesh, 2005: 76)
Dead & Company is a rock band formed in 2015, consisting of former Grateful Dead members Bob Weir, Mickey Hart, and Bill Kreutzmann, along with John Mayer, Oteil Burbridge, and Jeff Chimenti. The band performs classic Grateful Dead songs alongside improvisational jams, blending nostalgia with a fresh sound for both old fans and new listeners.