AQ8554@wayne.edu
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Publication Date: 2011 (New York: Palgrave Macmillan)
This book applies models that reflect the fluid, mediated, hybrid, and nomadic global scenes within which Generation X artists and writers live, think, and work in Spain. Henseler touches on critical insights in comparative media studies, cultural studies, and social theory, and conveys the nuances of multiple voices, facts, figures, and faces. [In English, with quotations in English and Spanish]
Publication Date: 1993 (Houston, Tex. : Arte Público Press)
Introduced by informative entries which place the authors in their cultural and historical context, the selections in this collection are as diverse as Hispanic culture itself and the personalities of their authors, including Denise Chávez, Lucha Corpi, Roberta Fernández, Varadero, Roberto Fernández, Lionel García, Genaro González, Rolando Hinojosa, Max Martínez, Nicholasa Mohr, Margarita Mondrus Engle, Alejandro Morales, Elías Miguel Muñoz, Judith Ortiz Cofer, Estela Portillo Trambley, Tomás Rivera, Floyd Salas, Virgil Suárez, Sabine Ulibarrí, Ed Vega, Victor Villaseñor, and Helena Mariá Viramontes.
These interviews reveal not only the authors' origins but also how they were able to overcome difficulties and challenges in their lives. The interviewed novelists include Mario Bencastro, Aristeo Brito, Rolando J. D az, Graciela Lim n, and Demetria Mart nez. Interviews conducted in English with Mexican-American writers are included in their original English version along with a Spanish translation. This book facilitates understanding the various dynamics of the Hispanic experience through literature.
Publication Date: 2008 (New York : Palgrave Macmillan)
The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production examines how Latin American writers, artists, and intellectuals have negotiated their relationship with Western culture from the colony to the present. De Castro looks at writers and intellectual polemics that serve as markers of the region's cultural evolution. Among the writers and artists studied are Sor Juana Inés de la Cruz, Rubén Darío, Jorge Luis Borges, Caetano Veloso, and Alberto Fuguet. This book proposes an analysis of the region's literature rooted in its specific cultural, political, and economic locations.
Mayan Indian peasants are tired of being thought of as nothing more than manual laborers. They organize an effort to improve their lot in life, but are discovered by the Guatemalan army. After the army destroys their village and family, Enrique and Rosa, a teenage brother and sister, who barely escaped the massacre, decide they must flee to United States. They make their way by truck, bus and other means to Los Angeles, where they try to make a new life as young, uneducated, and illegal immigrants. In Spanish, Kiché and English with optional English subtitles.
Originally produced as a motion picture in 1983. See Catalog record for list of great Special Features!
Kindly antiques dealer Jesus Gris happens upon an ancient golden device, and soon finds himself possessor and victim of its sinister, addictive powers, as well as the target of a mysterious, crude American named Angel. Originally released as a motion picture in Mexico in 1993. Spanish and English dialogue with optional English subtitles.
Call Number: UGL Video Collection, 2nd Floor: VIDEO JOH A1
ISBN: 0140187383
Publication Date: 1994
"There it lay, the great pearl, perfect as the moon." One of Steinbeck's most taught works, The Pearl is the story of the Mexican diver Kino, whose discovery of a magnificent pearl from the Gulf beds means the promise of a better life for his impoverished family. His dream blinds him to the greed and suspicions the pearl arouses in him and his neighbors, and even his loving wife Juana cannot temper his obsession or stem the events leading to tragedy. [Filmed in Mexico in 1947. Released as a motion picture in 1948 by RKO Radio Pictures, Inc.]. In English.
Este libro analiza peliculas y novelas donde los personajes principales son o se vuelven criminales. Estas ficciones no buscan restablecer la ley y el orden, ya que el criminal imaginado indica el deseo de cambiar su entorno; por ello, transgrede las limitaciones de su genero, raza o clase social. En pocas palabras, la cultura visual y narrativa es un espejo que refleja algunas tendencias politicas, eticas y esteticas en Latinoamerica desde 1990.
Este volumen indaga sobre el compromiso en la defensa de valores igualitarios por parte de los creadores y creadoras teatrales del exilio republicano de 1939, cuyos innovadores discursos narrativos y visuales presentan unos modelos de masculinidad y feminidad representativos del cambio en los paradigmas de género acordes con el creciente protagonismo de las mujeres en la Esfera pública.
La ideologia de la Ilustracion provoca acciones que cambian el rumbo de Europa y de Occidente. La Rebelion de las colonias inglesas de America (1776) y la Revolucion contra la monarquia francesa (1789) modifican para siempre las sociedades occidentales. Aunque existen estudios de autores dieciochescos, La satira del siglo XVIII presenta una vision colectiva que nos permite ver el destacado papel jugado por la satira durante el siglo de la Ilustracion.
La novela Don Quijote forma parte de la herencia común de España y Latinoamérica más que cualquier otra obra española.
Teniendo en cuenta que la recepción del Quijote en América Latina ofrece un vasto panorama de más de 400 años de historia intelectual latinoamericana, sorprende que hasta hoy la crítica se haya ocupado relativamente poco de esta temática compleja y sumamente importante.
El presente volumen reúne trabajos de especialistas procedentes de varios países de Europa y de las Américas, artículos que abarcan la recepción del Quijote desde los primeros textos de la época colonial hasta la literatura y el cine más reciente.
Publication Date: 2005 (Valladolid : Junta de Castilla y Leoń, Fundacioń siglo para las Artes de Catillo y Leoń, Universidad de Valladolid ; New York, N.Y. : The Graduate Center)